Source: The
At
work and at play
Art work is a process of
creation for Vancouver Sculptor
Artworks
are like destinations – often the journey or the process of creation is as
meaningful as the final piece itself.
This is
especially true for the work of
His work
entitled Stanley, a 10 foot cedar
beam wrapped in beeswax-soaked cotton, for example, may inspire a viewer to
think about construction, materials and mankind’s interaction with {and use of)
nature.
But that’s
only part of the story.
One of
several artists in the
“For a lot
of my work, I usually utilized galleries as a place to do something,” says
Fitzpatrick, 33, during a phone interview.
“With the
So to carve
The choice
of this tool refers to the beam’s origins as a fallen cedar tree in
“For me the
piece is about understanding the origins of carvers, of understanding the
methodology of carving in the Native American culture,” Fitzpatrick says. “My background is European, so this is about
understanding how the two worlds collide, as a post-colonial take on carving.
Originally
from
“Basically
it’s the train of thought that everything is interconnected – that you can’t
separate the intellect from the physical.
We’ve made these compartments and then we start to believe these
compartments are real – but they’re not.”
Tools,
process and the completed work are intertwined and represent the interaction of
the mind with the physical world, he says.
And art can
get physical. Fitzpatrick took two years
to carve
“I’m interested
in drawing as a traditional art. As a
trained figurative painter, I wanted to reduce drawing to its primal
elements. To crayon and paper. I’m trying to bring drawing back to its bare
essentials and deal with those restrictions.”
Limits in
turn inspire more creativity, he says.
“(Richard II) took me a year to make. It’s about the capacity of my
physicality. I’m interested in the problems of creativity and creating
parameters to do with the problems of creativity. But the more restrictive I am to myself, the
more my creativity is challenged and springs out. That’s why I use my body a lot in my art –
it’s all connected.”
Work and Play runs until August the 29th. The opening reception is tonight (Thursday)
from